My So Called Life

Ask me anything   Revolution.Love.Music.Life.

twitter.com/StephBMore:

    thischick25:

    toughtink:

    christowitch:

    teafortwoandtwofortea:

    African deities 

    Also gorgeous..

    these are really cool. love the colors in the Obba poster. a cursory google search says these deities are specific to the Yoruba religion, which originates from Nigeria.

    [source]

    (via notesonascandal)

    — 2 weeks ago with 21301 notes

    I had all of these. Thanks @McDonalds

    (Source: wet-farts-smell-the-same, via musicnerdery)

    — 3 weeks ago with 1715 notes
    I love this. I want.

    I love this. I want.

    (Source: myidealhome, via foodmusiclife)

    — 3 weeks ago with 1483 notes

    CNN hurt me so bad this past week…

    (Source: beeishappy, via kingsleyyy)

    — 3 weeks ago with 200849 notes
    NY Subways back in the day have an amazing story to tell. 

ohsosupreme:

k-a-t-i-e-:

Sleeping in the subway
New York, 1985
Ferdinando Scianna

I dig older photos like this.

    NY Subways back in the day have an amazing story to tell. 

    ohsosupreme:

    k-a-t-i-e-:

    Sleeping in the subway

    New York, 1985

    Ferdinando Scianna

    I dig older photos like this.

    — 3 weeks ago with 2928 notes

    “they had to buckle their goddamn hats on”

    (Source: drunkonstephen, via ohsosupreme)

    — 1 month ago with 121812 notes
    Oh this little girl is gorgeous. 

    Oh this little girl is gorgeous. 

    (Source: bridalparadise, via lolalove14)

    — 1 month ago with 8549 notes

    fyeahquvenzhanewallis:

    SHADOW AND ACT’s Zeba Blay: New York African Film Fest 2013 Review: ‘Boneshaker’

    In Ghanaian director Frances Bodomo’s Boneshaker, an African family journeys through rural Louisiana on a quest to rid a rebellious 7-year-old of the perceived evil spirits that have made her something of a problem child. 

    Shot before the release of Benh Zeitlin’s Beasts of the Southern Wild, the 12-minute short opens on the precociously expressive face of Quvenzhané Wallis, screaming and frantically kicking her feet as her grandmother tries to calm her down in the backseat of the car. From this frenetic jumping off point, the film is a soulful visual meditation on the in-between-ness of the African immigrant experience.

    It’s hard to say much about the film without ruining its magic, but in the pivotal “exorcism” scene young Quvenzhané proves that her Oscar-nominated performance in Beasts wasn’t just a fluke - the girl’s got talent.

    I hope this film will be widely available soon!!!

    (via ladyfresh)

    — 1 month ago with 734 notes